Inks by Horacio Ottolini, Colors by Melissa Kaercher

Originally appeared in Femme Noir: The Dark City Diaries, Issue #1

 Click “Transcript” below to read the original script for this page:

↓ Transcript
PAGE SIXTEEN

PANEL 1. Close-up of Dahlia.

DAHLIA: DO YOU BELIEVE HER?


PANEL 2. Riley, all hardness gone.

RILEY: IT DOESN'T MATTER IF I BELIEVE HER.

RILEY: LOOK, IN THIS TOWN, IF YOU FIND SOMEONE WITH A GUN NEXT TO A CORPSE – THAT'S THE EXTENT OF THE INVESTIGATION.

RILEY: CASE CLOSED.


PANEL 3. Dahlia, looking angry – like only a redhead can be.

DAHLIA: THAT'S RIDICULOUS! WHAT ABOUT MOTIVE?

DAHLIA: WHAT REASON WOULD SHE HAVE TO KILL TOM? THEY WERE TALKING ABOUT GETTING MARRIED, FOR GOD'S SAKE!

DAHLIA: WHAT IF SHE'S TELLING THE TRUTH!?


PANEL 4. Riley, standing now.

RILEY: I SYMPATHIZE WITH YOUR FEELINGS, MISS BLUE.

RILEY: IF IT WAS UP TO ME, I'D LOOK INTO IT SOME MORE.

RILEY: BUT OFFICIALLY… I CAN'T.


PANEL 5. Medium close-up on the sympathetic lieutenant.

RILEY: I CAME HERE AS A… COURTESY. FIGURED SOMEONE NEEDED TO BREAK THE NEWS TO YOU BEFORE YOU GOT HOME AND FOUND A CRIME SCENE.

RILEY: DO YOU HAVE SOMEPLACE TO STAY TONIGHT?


PANEL 6. Full-length shot of Dahlia, now standing next to her dressing table, looking at her own reflection in the mirror.

DAHLIA: THANKS FOR THE CONCERN, LIEUTENANT...

DAHLIA: …BUT I CAN TAKE CARE OF MYSELF.


PANEL 7. Close in on her reflection in the glass.

DAHLIA: APPARENTLY, IN PORT NOCTURNE, I HAVE TO.